
Bush dove
hunting in 1994.
(AP/ David J. Phillip) |
By Judith Kohler
Associated Press
DENVER October 19, 2004 (AP) — Bob Elderkin's vote would appear to be a
sure bet for President Bush on Nov. 2. He is a hunter, part of a
conservative-leaning group of outdoors people that is 38 million strong
and avidly supports gun rights.
But after backing Bush in 2000, Elderkin and some like-minded outdoorsmen
say the Republican won't get their vote again because of his environmental
policies.
"I can't vote for Bush knowing what it's going to be like the next
four years," said Elderkin, a retired Bureau of Land Management
employee in western Colorado where natural-gas drilling is booming.
"With John Kerry, it's an unknown. As far as Bush goes, it's going to
be, `Katie, bar the door.'"
Sid Evans, editor of Field & Stream magazine, said American sports
people are divided on the president's environmental policies, finding
themselves torn in some cases between the GOP's Second Amendment backing
and a push to make more public land available for energy development.
"I think that more will vote for Bush. I think they feel more
comfortable with him in general," said Evans, who estimated there are
at least 38 million hunters and fishers nationwide with an annual economic
impact of $70 billion.
Kerry has made a strong effort to be seen as a supporter of the Second
Amendment, despite failing grades from the National Rifle Association for
Senate votes on gun legislation. He has gone on public hunts, taken time
out for target practice during the campaign, and declared flatly that he
wouldn't take away the firearms of sports people.
"Kerry is paying attention to this group in a way they have not been
paid attention to by a Democratic candidate for a while," Evans said.
Campaigning in Ohio on Saturday, Kerry picked up a hunting license in a
pitch to socially conservative Democrats motivated by values and gun
rights.
Still, some hunters equate Democratic politics with gun control.
"It's kind of hard to hunt without having access to firearms,"
said Mike Freeze, vice chairman of the Arkansas Game and Fish Commission
and co-chairman of the state's Sportsmen for Bush group.
Sports people like Elderkin worry that proliferating gas wells dotting
private and public land will affect some of the nation's largest deer,
elk, and pronghorn herds. "If there's nothing to hunt out there, what
use is a gun?" he said.
Last spring, Bush invited hunters and others to his ranch in Crawford,
Texas, and he also revamped rules on wetlands after meetings with hunters
and anglers. He told Field & Stream that the nation can protect the
environment while producing fuel "that will enable people to be able
to live the lives they want to live."
Bush spokesman Danny Diaz said, "Sportsmen represent a very important
constituency to this campaign. They reflect, in many cases, the interests
and views of a majority of Americans and rural America."
Alan Lackey of Raton, New Mexico, and Stan Rauch of Victor, Montana, both
Bush voters in 2000, said they are angry about the administration's
proposal to allow logging and new roads on up to 58 million acres of
national forest that were declared off-limits by a Clinton-era rule.
"Kerry, I believe, would be better on environmental policies, which
to me equates to taking care of habitat and wildlife," said Rauch, a
retired Air Force pilot.
A recent National Wildlife Federation poll said many sports people
disagree with the administration's environmental policies, federation
spokesman Vinay Jain said. The poll, conducted in July, found that 75
percent believe carbon dioxide emissions should be reduced and 49 percent
think the oil and gas industry have the most input into Bush's
conservation and hunting and fishing policies.
"The poll affirmed what we'd been hearing for years anecdotally about
increasing hunter and angler backlash," Jain said.
The backlash is as strong in other parts of the country as in the West,
said Christopher Camuto, an outdoors writer in Lewisburg, Pennsylvania.
"Everybody is looking at how little is left in the East. Most
sportsmen would want to hold the line at the roadless backcountry we have
left," Camuto said.
A Bush proposal would require governors to petition the government to keep
roadless areas undeveloped. Kerry supports the Clinton administration's
protection for roadless areas in national forests.
Lackey, a car dealer in northern New Mexico and a former hunting and
fishing guide, has helped organize opposition to a proposal by
Houston-based El Paso Corp. to explore for oil and gas in half the
100,000-acre Valle Vidal. It is home to the state's largest elk herd and
some of the few remaining populations of native wild trout.
"Sportsmen are predominantly Republican and very patriotic,"
Lackey said. "But the federal government has become an instrument to
convey the public wealth into private hands at our expense." |

Nanowires: good
candidates for components in nanoelectronic
circuits |
Nanowires
Brookhaven
National Laboratory News Release
UPTON NY October 18, 2004 - Scientists at the U.S. Department of Energy’s
Brookhaven National Laboratory and their collaborators have discovered
that a short, organic chain molecule with dimensions on the order of a
nanometer (a billionth of a meter) conducts electrons in a surprising way:
It regulates the electrons’ speed erratically, without a predictable
dependence on the length of the wire. This information may help scientists
learn how to use nanowires to create components for a new class of tiny
electronic circuits.
"This is a very unexpected and unique result," said John
Smalley, a guest scientist in Brookhaven’s Chemistry Department and the
lead researcher of the study, described in the October 16, 2004, online
edition of the Journal of the American Chemical Society.
The conducting chain molecule, or "nanowire," that Smalley and
his collaborators studied is composed of units of phenyleneethynylene
(PE), which consists of hydrogen and carbon atoms. Like the links that
make up a chain, PE units join together to form a nanowire known as
oligophenyleneethynylene (OPE). PE, and therefore OPE, contains single,
double, and triple carbon-carbon bonds.
The double and triple carbon-carbon bonds promote strong electronic
interactions along OPE such that it conducts an electric current with low
electrical resistance. This property makes OPE nanowires good candidates
for components in nanoelectronic circuits, very small, fast circuits
expected to replace those currently used in computers and other
electronics.
Smalley and his collaborators found that as they increased the length of
the OPE wire from one to four PE units, the electrons moved across the
wire faster, slower, then faster again, and so on. In this way, OPE does
not behave like a similar nanowire the group has also studied, called
oligophenylenevinylene (OPV), which contains single and double
carbon-carbon bonds. When they made OPV wires longer, the electrons’
speed remained the same. They observed the same result when they studied
short wires made of alkanes, another group of hydrocarbon molecules that
contains only single carbon-carbon bonds.
The researchers
think that the unusual behavior of OPE may be due to its tendency to
slightly change its three-dimensional shape. Increasing the wire’s
length may trigger new shapes, which may slow down or speed up the
electrons as they cross the wire.
This variable resistance could be a benefit. "If the odd behavior is
due to the conformational variability of the OPE wires, figuring out a way
to control the tendency of OPE to change its shape could be useful,"
said Smalley. "For example, diodes and transistors are two types of
devices based on variable electrical resistance."
The scientists made another significant finding: They dramatically
increased the rate at which the electrons moved across the wire by
substituting a methyl hydrocarbon group onto the middle unit of a
three-unit OPE wire.
"Because OPE seems sensitive to this substitution, we hope to find
another hydrocarbon group that may further increase the electrons’
speed, and therefore OPE’s ability to conduct electrons," said
Smalley.

Nanowires |
Experimental
Background
In the experiment, Smalley and his group created an OPE wire
"bridge" between a gold electrode and a
"donor-acceptor" molecule. To measure the electron transfer rate
across the bridge, they used a technique they developed in which a laser
rapidly heats up the electrode. This causes a change in the electrical
potential (voltage) between the electrode and the donor-acceptor, which
disrupts the motion of electrons crossing the bridge. The group used a
very sensitive voltmeter to measure how quickly the voltage changed in
response to the altered electron movement. From these measurements, they
determined how fast the electrons were moving through the wire.
This research, performed in collaboration with Marshall Newton of the
Brookhaven Chemistry Department and researchers at Stanford University,
Clemson University, and Motorola, is funded by the Office of Basic Energy
Sciences within the U.S. Department of Energy’s Office of Science and
the National Science Foundation.
Longer
Nanotubes
University
of California - Irvine News Release

Thin bundle of
carbon nanotubes with some impurities
deposited across two AuPd electrodes. (ORNL) |
Irvine October 18,
2004 – UC Irvine today announced that scientists at The Henry Samueli
School of Engineering have synthesized the world's longest electrically
conducting nanotubes. These 0.4 cm nanotubes are 10 times longer than
previously created electrically conducting nanotubes. The breakthrough
discovery may lead to the development of extremely strong, lightweight
materials and ultradense nano-memory arrays for extremely powerful
computers, ultralow-loss power transmission lines, and nano-biosensors for
use in health care applications.
A nanotube is commonly made from carbon and consists of a graphite sheet
seamlessly wrapped into a cylinder only a few nanometers wide. A nanometer
is one billionth of a meter, about the size of 10 atoms strung together.
Peter Burke, assistant professor of electrical engineering and computer
science, conducted the research along with graduate students Shengdong Li,
Christopher Rutherglen and Zhen Yu.
"We are extremely excited about this discovery," said Burke.
"Recently there have been several key advances around the world in
synthesizing very long carbon nanotubes. Our research has taken a
significant step forward by showing we can pass electricity through these
long nanotubes. Significantly, we have found that our nanotubes have
electrical properties superior to copper. This clearly shows for the first
time that long nanotubes have outstanding electrical properties, just like
short ones."
Researchers grew the carbon nanotubes using a simple procedure: Burke
allowed natural gas to react chemically with tiny iron particles or
"nanoparticles" inside a small furnace.
By placing a small amount of gold under the iron, Burke's group found that
ultralong nanotubes grow; whereas without the gold, only short nanotubes
grow. Because nanotubes are so small, it is difficult to connect regular
wires to them. Using gold in the growth process, Burke solved this problem
by growing nanotubes that come out already attached to gold wires.
An added scientific benefit is that Burke was able to accurately determine
how the electrical resistance of a nanotube depends on its length. The
relationship between resistance and physical size (length) is a key
property of any new material.
Burke's finding indicates that the electrical conductivity is greater than
for copper wires of the same size, a world record for any nano-material of
this length. |

The original
Enterprise returns in the Star Trek New Voyages
episode In Harm's Way (Cow Creek Films) |
Star Trek New
Voyages - Episode Two: In Harm's Way
Review by
FLAtRich
October 20, 2004 (eXoNews) - Picture yourself in an alternate universe
where Star Trek The Original Series (TOS) had 21st Century
computer-rendered special effects. Just think of the impact Gene
Roddenberry's creation would have made with that future tweak back in
1966!
William Shatner
might have won an Emmy!
Enter Star Trek New Voyages, a fan-driven, web-based TOS revival led by
Cow Creek Films, and dedicated to continuing the five-year mission begun
by the 1960's crew of the USS Enterprise.
The first New Voyages episode, Come What May, was released in January and
I gave it a break. New Voyages is not quite a TV series and certainly not
a Franchise-sanctioned remake. It is created by fans out of love, working
for free on no discernable budget. The first episode acting ranged from
unmentionable to pretty good, effects were cheap but not too bad, sets
were cardboardy, camerawork static, lighting sort of awful and the
scripting was a bit too fanfictionish to impress anyone outside of the
hardcore Trekker universe.

Hey! Who blew up
NCC-1701 in 2254? (Cow Creek Films) |
But the newest New
Voyage, In Harm's Way erases all doubt that Cow Creek and its minions will
have an impact on the Star Trek timeline and the science fiction genre as
well. The New Voyages project has undergone a makeover that puts it in a
class by itself. Episode writers Max Rem and Erik Korngold weave obscure
story threads from the original series into a new and rather exciting
plot. Director of Photography Scott Moody photographs scenes stylishly.
Director Jack Marshall tunes his actors to mostly excellent performances.
Rem embellishes everything with delightful special effects.
Perhaps most important, Marshall and Rem have mastered editing. The first
episode suffered here, but In Harm's Way never loses pace.
How our intrepid band of fans accomplished all of this is beyond me. STNV
Fan Relations tells me that production on In Harm's Way began last March
and director Jack Marshall worked on the project 40 hours a week.
Production designer James Cawley (who also plays Kirk) built all the sets.
Everything you see on your computer screen - costumes, makeup, sound
effects, etc. - was handcrafted by dedicated volunteers.

James Cawley as
Kirk. He also designed and
built the sets. (Cow Creek Films) |
STNV has the
Roddenberry blessing (Eugene Roddenberry, Jr. is a Consulting Producer)
and this episode should delight any science fiction fan.
Even the most jaded
Trekster must sit forward in awe.
In Harm's Way did arrive later than the official website originally
promised, but that is hardly surprising given the intricacy of the story
and number of shots and effects. These guys even brought in some genuine
Star Trek Special Guest Stars, but before I tell you who let me dangle
some of the plot in front of you.
There may be a few
little spoilers here, but I'm only going for a tease.
The opening segment of In Harm's Way gives us the Enterprise under attack
14 years ago in 2254, commanded by Captain Christopher Pike (Kurt Carley).
(Trekkers know that Pike appeared in the classic TOS first pilot episode
"The Cage" and TOS episodes "The Menagerie" 1 &
2.) The Enterprise is being chased by the wormy doomsday planet destroying
berserker (from the TOS Season Two episode "The Doomsday
Machine"). Pike
asks "Lt. Spock" (Jeffery Quinn) for a status report and we
notice that Pike's Executive Officer (Shannon Quinlan) is a woman.
(Reference first TOS pilot, where Majel Lee Hudec, AKA Majel Barrett
Roddenberry, played Pike's Number One.)
But wait, something is wrong here! No, it's not Spock. We know he served
with Pike on the Enterprise before Kirk came aboard, but wasn't it Kirk,
not Pike who encountered the doomsday machine when his friend Commodore
Matthew Decker (played in the TOS episode by William Windom) attempted to
thwart the berserker by flying down the throat of the thing and blowing up
his shuttlecraft?
OK, maybe that's hardcore trivia but while we are wondering, the
Enterprise is blasted to space dust and everyone knows that doesn't happen
in the TOS timeline. [Fade to opening credits, TOS theme music.] The game
is afoot!

The Guardian of
Forever time portal makes a guest
appearance (Cow Creek Films) |
Fade back to the
present on the Gateway planet, the location of Project Timepiece (which is
undoubtedly the alien Guardian of Forever time portal from "The City
on the Edge of Forever", an all-time favorite TOS episode written by
Harlan Ellison.) Spock is at the Project Timepiece base, conferencing with
Captain Kirk (James Cawley) and asking Kirk to bring his ship to Gateway.
Kirk reluctantly agrees and sets his crew in motion, but hey! Wait a
minute! Kirk's First Officer is a Klingon commander named Kargh (John
Carrigan)?
The rest of Kirk's crew are TOS regulars - Doctor McCoy (John Kelley),
Uhura (Julienne Irons), Navigator DeSalle (Ron Boyd), Scotty (Charles
Root) and Rand (Meghan King Johnson) are all there. So is Chapel, who
looks suspiciously like the First Officer we saw on Pike's destroyed
Enterprise (mainly because, in a bow to Majel Roddenberry, both parts are
played here by Shannon Quinlan.)
But as the camera pulls back through the observation bubble in the ship's
saucer section, we see that Kirk and crew are flying the USS Farragut, not
their beloved Enterprise.
When Kirk and the
Farragut crew arrive at the Gateway planet, Spock and Project Timepiece
scientist Dr. MacGregor (Becky Bonar) explain that time is awry. The
timeline has been altered and Kirk must take his crew through the Guardian
of Forever portal to set things right.

Malachi Throne,
Barbara Luna and William Windom. Genuine
TOS Guest Stars who grace In Harm's Way (Cow Creek Films) |
And you must
download In Harm's Way to find out what happens next. I will tell you that
Kirk and his crew run into a lot of action and some delightful surprises.
Oh, and those
genuine Special Guests include Barbara Luna, Malachi Throne and William
Windom reprising his TOS role as Commodore Matthew Decker.
People who read my rants here at eXoNews know that I am unashamedly at the
end of my rope with the producers of Star Trek Enterprise for their limp
reliance on temporal warping to come up with a plot (see my review of
Storm Front last week), but here we have a bunch of unpaid Star Trek fans
who have used the same device in a way that really works.

Director Jack
Marshall and Consulting Producer
Eugene Roddenberry, Jr. on the set of In Harm's
Way (Cow Creek Films) |
In Harm's Way
returns to the days when Star Trek was Star Trek, not just another TV
allegory for the George Bush War on Terrorism. This New Voyages trip
transcends cliché while drawing on the best of the classic Treks to
evolve a valuable addition to the mythos.
In Harm's Way also sets a precedent reminiscent of the success of writer
Harlan Ellison. Ellison began as a rabid sci fi fan and rose to respected
professional scribe. Cow Creek's STNV opens a portal for new fan-driven
projects. Perhaps fan productions will someday reveal the fate of Captain
Vansen and Hawkes of Space: Above and Beyond? What really happened to Dale
Cooper after Twin Peaks or the moose in Northern Exposure? Return to Harsh
Realm? The list is endless!
My advice, take the time to download In Harm's Way. You could face six
hours or more with a dial-up connection, but the episode is divided into
five separate files (plus two more if you want the trailers) and it is
certainly worth the price.
Did I mention that this is a free download?
All you need is a fairly recent computer, graphics and sound card to play
In Harm's Way in one of several formats for different operating systems.
(Windows users with Windows Media Player 9 on board can go with the
Windows Media Format files.)

(Cow Creek
Films) |
To find the
download site that suits you, go to http://www.newvoyages.com
and click on Episodes. Newbies should beware of the first download site on
the list, which features a Bit-Torrent File version and may require
software you don't have (I didn't know what Bit-Torrent File meant either
- see link below), but Windows Media Player and QuickTime versions are
available.
Hint: Windows Media Player users can scroll down all the way through the
list of download sites to Mirror 9 like I did and go for the .WMV files.
Also check out the Official Site for pix and other info on Star Trek New
Voyages - http://www.newvoyages.com
Live long and download!
Brian's BitTorrent FAQ and Guide Microsoft Windows - http://btfaq.com/serve/cache/8.html
[UPDATED 10/22/04 -
Picky, picky! Fixed the Kirk-Pike error that a few readers noticed in the
plot summary above. It's always a risk depending on the little gray cells
when reviewing Trek stuff! I thought those hardcore fans who were precise
enough to bring this to my attention might also enjoy the following
transcript from a 1997 MSN chat with Majel. The event was hosted by DJ
Nelson Aspen, who had a "show" on MSN at the time, and attended
by only a very few MSN beta testers (myself included.) Majel's answer
about the original pilot is below followed by a link to the entire
transcript. Ed.]
Majel
Roddenberry on the Original Star Trek Pilot
from
Nelson's World MSN Chat, circa 1997
What was the story
behind the original Trek pilot? You were originally cast as
second-in-command, right?
MajelR: Right.
MajelR: Gene wrote that part first, last, and always for me. As a matter
of fact, that was the first part that he wrote. He wanted a woman second
in command and I was going to be that woman.
MajelR: So, when we did it we thought isn't this innovative and fun. NBC
said, "No. Our people don't think so. We want you to recast the role,
get rid of the woman because no one will believe a woman second in
command."
MajelR: They said, "This show was too cerebral." And, they were
going to try to make another pilot, but they wanted changes.
MajelR: Number one, WAS "Number One", which was my character
name. Number two was, the guy with the ears had to go because he was too
"Satanic" looking. so, Gene knew that it was going to break my
heart, but he wanted to Spock character so badly that he figured,
"Ok. I'll marry the woman and I'll keep the Spock character because I
don't think Leonard would have it the other way around."
Nelson: LOL
MajelR: And, the third thing they wanted was instead of 50% men, 50%
women, was to have mostly men, because otherwise it was going to look like
there was too much "hanky panky" going on on board the Starship.
Nelson: LOL
MajelR: Well, Gene figured he was going to have to fight to get some of
what he wanted anyway, this one he could live with because 30 good women
could handle a crew of 300 anyway.
Nelson: LOL
Click here
for full Majel Roddenberry chat transcript.
Shatner Sings Again
By MARK
KENNEDY
Associated Press Writer

Is this a trick
or a treat? |
NEW YORK October
16, 2004 (AP) - Just in time for Halloween comes a CD from a guy more
likely to inspire a holiday costume than a musical following — William
Shatner. The one-time James T. Kirk of "Star Trek" fame has
released an 11-song collection this month, a follow-up to his 1968
spoken-word debut that garnered such critical infamy it became a camp
classic.
So it must be asked: Is this a trick or a treat?
"It's a treat for me," Shatner, 73, said by telephone from Los
Angeles, where he was taping an episode of "Boston Legal," his
latest TV show. "I hope nobody turns a trick on it."
The new album — slyly titled "Has Been" — once again puts
Shatner's choppy, emphasis-added words to music. But this time he's penned
his own lyrics and tempered the cheese quotient with a few musical
friends. Ben Folds, who produced and arranged the new album and co-wrote
many of the songs, wrangled guest appearances by Joe Jackson, Aimee Mann,
Henry Rollins and Brad Paisley.
Still smirking?
As the music veers from lush pianos to soul, from gospel to cowboy twang,
Shatner's lyrics explore, among other things, his fear of aging, the death
of a loved one, reconnecting with estranged children and the fickleness of
fame.
Take the title track, "Has Been," in which Shatner wrestles with
critics who have called him washed up: "Has been implies failure /
Not so / Has been is history / Has been was / Has been might again."
"I'm standing in front of you with my heart exposed," Shatner
said in the interview. "But it's time for me to do that, and I did it
willingly. If it doesn't work, it's my deficiencies."
As is often the case with Shatner's projects, the CD seems to forever flit
between self and self-parody.
"It's really interesting musically," said Garson Foos, president
of the Shout! Factory record label, which released the album and is
targeting fans of intelligent, alternative rock. "We have modest
expectations but we're hopeful that we'll exceed them."
Foos, with his brother Richard, previously ran Rhino Records, a fact that
made things a little sticky at first: Rhino had included two of Shatner's
songs on its first "Golden Throats" album — advertised as
"embarrassing musical moments from celebrities you thought would know
better."
Shatner's 1968 album "The Transformed Man" was a gold mine of
such moments, a bizarre attempt to meld contemporary pop songs like
"Lucy in the Sky With Diamonds" with excerpts from classic
literature like "Hamlet."
It was a record that launched a thousand titters and more than a few
dead-on impressions from comedians mocking Shatner's start-and-stop,
overly dramatic phrasing. Think Kevin Pollak crooning "Mr.
Tam-bou-rine maaaan!"
So when the Foos brothers approached Shatner with the idea of a new album,
Shatner was wary: "I recall feeling they wanted to see if there was
another self-mockery item here — and I'm not going to go there," he
said.
Shatner called in reinforcements. Folds, a friend since the two
collaborated on a song for Folds' "Fear of Pop" album, eagerly
signed on — much to the delight of the record company. Then Shatner got
spooked.
"I asked Ben, 'What am I going to write?' He said 'Tell the
truth.'"
Apparently, Shatner took the advice to heart. In the song
"Real," he warns his fans "just because you've seen me on
your TV / Doesn't mean I'm any more enlightened than you." And in
"You'll Have Time," he bluntly counsels "Live life like
you're gonna die / Because you're gonna / I hate to be the bearer of bad
news / But you're gonna die."
It's not all gloomy, as one can expect from the Priceline pitchman.

A duet with
Black Flag's Henry Rollins? |
In "I Can't
Get Behind That," Shatner and Rollins playfully rail against high gas
prices, student drivers, leaf blowers and car alarms. Full of mock anger,
Shatner offers the line "I can't get behind so-called singers that
can't carry a tune, get paid for talking, how easy is that?"
Then he pauses, reconsiders: "Well, maybe I can get behind
that."
Shatner has high hopes for the album, even though he knows it may be
ridiculed.
"I'd love for it to sell a lot of records," he says. "If
some Philistine wanted to pull a song and make fun of it, that would be
all right. I would have accomplished what I set out to do."
As for whether he expects to give teenybopper artists like, say, Christina
Aguilera a run for their money, Shatner is coy.
"I've got the same moves," he said, "but I'm not allowed to
show them."
William Shatner Official - http://www.williamshatner.com
Beatles Go
Hollywood
By Liza
Foreman
LOS ANGELES October 18, 2004 (Hollywood Reporter) - The Beatles are headed
to Hollywood.
Or, more precisely, Sony-based Revolution Studios is developing a film
musical, "All You Need Is Love," that will feature more than a
dozen cover versions of Fab Four tunes.

Your mother
should know (AFP) |
The project, from
veteran British screenwriters Dick Clement and Ian La Frenais, is a
romance about a British boy and an American girl set against the backdrop
of the social upheaval of the 1960s.
Although not about the Beatles, the musical will use their songs to drive
the narrative, with the actors singing and dancing to the classic tunes.
The filmmakers are in negotiations to secure re-recording rights for the
project, set to feature 17-18 Beatles songs.
"Everyone loves the Beatles," Clement said. "No matter how
old or young someone is, where they're from or what they're background is,
the music is universal."
Added La Frenais: "Everyone has a memory associated with the Beatles.
Whether it was your first kiss or the first time you saw that girl
standing across from you at the high school dance, chances are that the DJ
was playing a Beatles song."
The film's producer, Matthew Gross, noted that Clement and La Frenais knew
late Beatles guitarist George Harrison and drummer Ringo Starr personally.
"We wanted to create a story that stood entirely on its own
merits," Gross said. "Even without the music, their story is
dramatic, moving and powerful. That being said, no matter what we wanted
to convey in a scene, there was always a Beatles song available to help us
push the narrative and emotional beats forward."
Clement and La Frenais, who first teamed in the '60s on such swingin'
London titles as "The Jokers" and "Otley," have
written dozens of movies including two films for Harrison, whose Handmade
Films produced 1985's "Water" and 1983's "Bullshot,"
both of which Clement directed.
Clement and La Frenais are collaborating with AC/DC vocalist Brian Johnson
on a Broadway musical. They also wrote "The Commitments." Their
credits also include the classic British TV series "Porridge"
and "Auf Wiedersehen, Pet."
Jason Behr
on The Grudge
Hollywood October 18, 2004 (Sci Fi Wire) - Jason Behr, who stars in the
horror remake The Grudge, told SCI FI Wire that Japanese writer/director
Takashi Shimizu made the story clearer for American audiences, while still
keeping some of the mystery from his original Japanese film, Ju-on.

Jason Behr |
"The first
Ju-on was so fractured in its storytelling that you had to kind of put the
pieces of the puzzle back together," Behr said in an interview while
promoting the film.
"If it wasn't as clear as it should be, it's OK, because it doesn't
need to be explained. All the loose ends don't need to be tied up nice and
neat. Shimizu tied up a few more loose ends, but there's a lot of stuff
that is still kind of unanswered, which is interesting to me."
The Grudge, starring Sarah Michelle Gellar, deals with the effects of a
curse on a house in Tokyo and the people who come into contact with it.
The movie marks the first time a Japanese film has been adapted by the
same director for American audiences.
Behr said that the film's American producers trusted Shimizu's vision and
allowed him the freedom to remake his own film without interference.
"It was refreshing in the sense that everyone sort of let Shimizu do
what he wanted to do," Behr said.
"[Producer Sam Raimi] was very, very trusting in what Shimizu had to
do. I mean, Sam has been doing some amazing movies for a long time now,
and he knows good stories, and he knows good storytelling and good
storytellers, and that's why he kept Shimizu telling this one. He's
incredibly innovative, very intelligent and unique. We as the actors might
have needed a translator to understand his vision, but I don't think the
audience will."
The Grudge opens in theaters Oct. 22.
The Grudge Official site - http://doyouhaveagrudge.com
Burt Reynolds as
Boss Hogg?
By Liza
Foreman

Burt Reynolds
(Reuters) |
LOS ANGELES October
15, 2004 (Hollywood Reporter) - Burt Reynolds and Willie Nelson are in
final negotiations to join Johnny Knoxville, Seann William Scott and
Jessica Simpson in the big-screen version of "The Dukes of
Hazzard."
Reynolds, most recently in theaters with the hit comedy "Without a
Paddle," would play the evil Boss Hogg, a role played in the original
1979-1985 CBS show by the late Sorrell Booke.
Nelson would play Uncle Jesse, stepping in the shoes of the late Denver
Pyle. Knoxville and Scott will play his good ol' boy nephews, Luke and Bo
Duke, respectively, with Simpson on board as their sexy cousin, Daisy
Duke.
Jay Chandrasekhar is directing the Warner Bros. project.
Reynolds' films include "The Longest Yard," "Cloud
Nine" and "Instant Karma." Nelson, better known as a
country music legend, has appeared in such films as "Wag the
Dog" and "Red-Headed Stranger."
Darwin's
Children on Sci Fi
By John
Dempsey
NEW YORK October 14, 2004 (Variety) - The Sci Fi Channel has signed
Michael De Luca -- former New Line Cinema topper and DreamWorks production
chief -- to produce his first TV project, a miniseries about genetically
altered births called "Darwin's Children."
De Luca joins a roster of showbiz biggies who have agreed to do minis for
Sci Fi: Steven Spielberg ("Nine Lives"), Ridley Scott ("The
Andromeda Strain"), Martin Scorsese ("The Twelve"), Bryan
Singer and Dean Devlin ("The Triangle"), Frank Darabont
("The Thing") and Gale Anne Hurd ("Red Mars").
Based on two novels by Greg Bear, "Darwin's Children" concerns
the advent of speeded-up evolution, which creates a new generation of
superchildren called virus babies. The clash of generations leads to
worldwide unrest.
Howard Braunstein, one of the executive producers of "Darwin's
Children," said he's not surprised that Sci Fi Channel has enticed so
many top producers to work on projects.
"Science fiction is such a rich genre, and many creative people are
drawn to it," Braunstein said. "And the network will spend big
money on the production and special effects," he added, citing such
projects as the 20-hour "Taken" and the forthcoming
"Earthsea Trilogy."
Sci Fi is coming off its best quarter ever, solidifying itself as a top-10
basic cable network in total viewers, adults 18-49 and 25-54. Increasing
advertising revenues have allowed the network to spend $10 million or more
on a four-hour Sci Fi movie. That kind of budget is music to the ears of
the creative community.
Braunstein's partner Michael Jaffe is an exec producer of "Darwin's
Children," along with De Luca, Ralph Vicinanza and Vince Gerardis.
Sci Fi Channel - http://www.scifi.com
Ford Raises
Steve McQueen From The Dead

But would he
have done car commercials? |
DEARBORN MI October
14, 2004 (AP) - The late Steve McQueen is making a return appearance
starting next month in commercials for the 2005 Mustang. The ads draw on
the actor's appearance behind the wheel of a Mustang in the 1968 action
movie "Bullitt."
Marketing experts say the ads are right on target because of the mystique
surrounding McQueen, who died of cancer in 1980.
The ad is an homage to the 1989 movie "Field of Dreams," in
which Kevin Costner portrays a dreamer who conjures the spirits of
Shoeless Joe Jackson and other baseball players when he builds a playing
field on his farm.
In Ford's commercial, a farmer builds a winding racetrack, which he
circles in the 2005 Mustang, due in showrooms next month. Out of the
cornfield comes McQueen.
The farmer then tosses his keys to McQueen, whose likeness is created by a
body double and some digital editing wizardry. The spot ends with McQueen
driving off in the new Mustang.
Mustang enthusiasts have been buzzing for days on Internet chat rooms
about the high-concept commercial. Ford confirmed the accuracy of the
story line described on the Internet, The Detroit News said Thursday.
Marketing experts say the Ford ad is pushing the right buttons because the
McQueen legend and the Mustang evoke fond memories for movie-goers and car
buffs alike.
"It's a very positive association," said Wes Brown, a partner in
the California consulting company NexTrend.
The Mustang commercial is part of a comprehensive marketing effort Ford is
launching to generate some excitement about the blue oval brand.
The automaker is counting on a strong start for a group of new models to
bolster sales and put an end to a long market share slump. The Ford brand
is on track to drop to 16.6 percent of the U.S. market in 2004, its ninth
consecutive year of decline. Through September, Ford's total car sales
were down 13.5 percent from last year.
The brand also has increased its fourth-quarter advertising budget to $170
million, about 50 percent more than was spent during the final three
months of 2003.
Using computer magic to transcend the passage of time isn't new to
commercials. Ten years after his death in 1987, Fred Astaire's image was
featured in a TV ad that showed him dancing with a Dirt Devil vacuum
cleaner.
"If it's executed properly and well, it can be a very effective
tool," Brown said.
The Mustang commercial was conceived by Detroit-based J. Walter Thompson
and shot by Believe Media, an international production company whose
clients have included Coca Cola Ltd., Nike and McDonald's.
[Funny how nobody seems to wonder Steve McQueen would think about using
his likeness in a car commercial. I don't remember him doing any when he
was alive. Ed.]
Ford Motor Co. - http://www.ford.com
J. Walter Thompson - http://www.jwtworld.com |