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Did CA
Republicans Elect a Kennedy?
By FLAtRich
Los Angeles October 8, 2003 (eXoNews) - I woke up in Hollywood this
morning and laughed.
It occurred to me
that the Republican Party of California had just been hoodwinked into
electing a Kennedy!
They say there is a woman behind every successful man in politics and
Governor-elect Arnold Schwarzenegger's wife comes from the most powerful
family of Democrats in American history. She is Schwarzenegger's strongest
tie to the political world.
Maria Shriver Schwarzenegger is not just a reporter for Dateline NBC -
she's the daughter of Eunice and Sargeant Shriver.
Eunice is a sister
of President John Kennedy.
The press hasn't
made much of this, but Maria's dad once ran for Vice-President of the
United States on the Democratic ticket.
In the Kennedy era, Sargeant Shriver was the very first Director of the
Peace Corps and, make no mistake about it, the Shriver family is 100%
Democrat.
Sargeant Shriver graduated Yale Law School and was a business associate of
Joseph Kennedy, father to John, Bobby, Edward and Eunice. After marrying
Eunice, Shriver was business manager for John Kennedy's Presidential
campaign.
Five years after his Peace Corps role, Shriver became director of the
Office of Economic Opportunity under Lyndon Johnson. He was appointed US
Ambassador to France in the late 60s.
Following the withdrawal of Senator Thomas Eagleton in the 1972
Presidential campaign, Sargeant Shriver ran as the Democratic candidate
for Vice-President with George McGovern. McGovern and Shriver lost to
Nixon and Agnew.
Maria's mom Eunice Shriver is known for her good works in the area of
mental health and created the Special Olympics in 1968.
How will the
Kennedy family bloodline affect the future of California?
Governor-elect Schwarzenegger ran on a beholding-to-nobody platform but
was backed by the California Republican machine. He supports abortion and
other crucial liberal issues that make most Republicans cringe. His Lt.
Governor was his main opponent from the Democratic Party.
The California First Lady is usually not big news, but in the final
televised debate of the recall campaign First Lady Sharon Davis stood in
for her husband and got equal time answering questions.
Maybe the power of First Lady in California is about to change. Could
Arnold's latest role be a beard for Camelot?
Tune in next week.
Shriver
Played Key Role in Husband's Bid
LOS ANGELES October 8, 2003 (AP) - When Arnold Schwarzenegger stepped to
the podium for his victory speech, the first person he thanked for helping
him ascend to the governor's office was his wife, Maria Shriver.
"I know how many votes I got today because of you,"
Schwarzenegger said early Wednesday, turning to his wife and kissing her
amid chants of "Maria, Maria."
Shriver, a member of America's most famous political family, appeared at
several events on the campaign trail to help boost Schwarzenegger's
standing among women. She also stood by him in the last week amid
allegations that Schwarzenegger groped several women over the years.
"He's one of the most gracious, supportive, open-minded men I have
ever met," the TV journalist said at an appearance in September.
"I've known him since I was 21 years old, and I know I would not be
where I am today in my career, as a woman, without his support."
Shriver, 47, a
niece of President Kennedy, has been with NBC since 1986 as an anchor,
correspondent and, most recently, as part of "Dateline NBC." She
and Schwarzenegger have four children, ages 5 to 13.
NBC is expecting Shriver to return to work after the recall and will talk
to her about how her assignments will change following Schwarzenegger's
victory.
During the campaign, Shriver has been on an unpaid leave of absence from
NBC, where she is a "Dateline NBC" correspondent and substitute
anchor on news shows.
Shriver built her career as a hardworking journalist who preferred serious
news over fluff.
"She likes to do stories that make a difference," "Dateline
NBC" executive producer David Corvo said last month. He cited a
report Shriver lobbied to do on women in Minnesota's welfare reform
program, a story for which she won a Peabody Award.
Shriver's family may well have influenced Schwarzenegger's socially
liberal brand of Republicanism.
Schwarzenegger, 56, has identified himself as a supporter of abortion
rights, domestic partnerships for gays and environmental safeguards.
The political odd couple have a home in Los Angeles, a spacious lodge in
Sun Valley, Idaho, and a Gulfstream jet to ferry them between the two.
Shriver was 21 and Schwarzenegger was 30 when they met at a 1977 Kennedy
family charity tennis tournament, before the Austrian muscleman launched
his movie career. The pair found common ground and married in 1986.
Like the Shriver family, Schwarzenegger loves a good prank, Bobby Shriver,
Maria's brother, told People magazine.
"That's all you need to know about their relationship right
there," he said. "Maria rammed a pie in his face and he fell in
love."
Bush on Arnold
Washington October 7, 2003 (eXoNews) - Answering questions after a Cabinet
meeting on Tuesday before Schwarzenegger won, President Bush made the
following remarks about the California recall election and Arnold.
(Source: White House Press Office)
Q Thank you, Mr. President. Back in August, you said you thought Arnold
Schwarzenegger would make a good governor. We've learned some new things
about him. There's an election today. Do you still feel that way?
THE PRESIDENT: I feel like the California people are going to make a wise
decision, that they -- they are now in charge of the process. And it looks
like there's a pretty active turnout in absentee ballots and people are
taking it seriously, and I have no idea how the election is going to turn
out.
Q Is he the kind of guy you could work with?
THE PRESIDENT: If he's the governor, I'll work with him, absolutely. He's
obviously waged a spirited campaign, he's captured a lot of people's
imagination. I haven't been paying that close attention to it, because
I've got a job to do here in Washington. But the process is about over,
the people of California are going to speak and I look forward to seeing
what the results are. I may not stay up for it -- (laughter) -- all night
long. I'll be reading your stories first thing in the morning. |
|
By Stefan Lovgren
National Geographic News
Guatemala October 6, 2003 (National Geographic) - An extensive
archaeological excavation has unearthed a lost city that is believed to be
one of the crowning jewels in the ancient civilization of the Maya.
For six years, researchers have deciphered hieroglyphics and scrutinized
palaces in Guatemala's remote Piedras Negras, near the Mexican border.
The study shows a
city that began as an agricultural center as early as 400 B.C. and
disintegrated under royal power struggles around 1,400 years later, around
the same time the entire Mayan civilization began to collapse.
"We were able to basically write the biography of a city," said
Stephen Houston, an archaeologist at Brigham Young University in Provo,
Utah, and one of the lead researchers. "It's a persuasive narrative
about how a city grew, how it thrived, and how it died."
Houston's research was partially funded with a grant from the National
Geographic Society Committee for Research and Exploration.
The cause of the sudden demise of the great Maya society, which once
ranged from Mexico's Yucatán peninsula to Honduras, is fiercely debated
by Maya experts. This latest research suggests the culture collapsed not
from drought, as some experts believe, but from the loss of the royal
court.
"The city came to a catastrophic end in about 800 A.D. when the last
known king of the site was taken captive by a neighboring kingdom,"
Houston said. "Once the king and his royal court are gone, the city's
reason for existence no longer seems to be there."
Abandoned City
Loggers that came to harvest tropical hardwood discovered Piedras Negras
in the 1880s. In the 1930s, archaeologists from the University of
Pennsylvania in Philadelphia began studying the site, but World War II
interrupted the research, and for almost 60 years no archaeologist went
back.
Continuing the excavations took on added urgency after the Mexican
government announced plans to build a dam that would flood part of the
site, which is situated along the Usumacinta River.
But before Houston and his team could return to Piedras Negras, they first
had to convince Marxist guerrillas, who used the site as a hideout in
Guatemala's long-running civil war, to leave. They also had to decide how
to reach the site: a five-hour hike through the bush from Mexico or a
nine-hour boat ride down some hair-raising Guatemalan rapids—no easy
feat for a team bringing in 120 workers.
When the archaeologists finally began their work in 1997, they were amazed
at how well-preserved the site was. Still, to the untrained eye, it didn't
look like much. While some architecture is still standing, most is in
ruins.
"Walking around, a person may not realize he's on a major
archaeological site," said Houston.
The Acropolis
The early settlers probably came to Piedras Negras around 400 B.C., before
the start of the Maya period, and established farms in the fertile valley.
The archaeologists have found ceramics dating back to that time.
The site exploded in size far later, around 400 A.D., when many of the
temples were built and the kingship may have been introduced.
A visitor entering from the river would have first seen the red-painted
royal palace rising several stories, partly obscured by a haze of burning
incense. "You would have smelled the city before coming close to
it," Houston said.
But unlike many
Maya reconstructions, which depict the cities as shining, well-maintained
settlements, Piedras Negras was probably in a constant state of disrepair.
It went through two major construction phases. First, mortuary pyramids
containing the tombs of early kings were built. Then, around 700 A.D., the
city was almost covered in masonry.
Like in many ancient cities, the population remained small. Even at its
peak, Piedras Negras probably never had more than 5,000 residents.
The Maya kings were not only executive rulers, but also considered sacred,
responsible for rituals such as bloodlettings and incense burnings. In the
late classic Maya period—from 550 to 800 A.D.—a clear pattern emerges
where the rulers were succeeded by their sons. This is also when the
palace, or "the Acropolis," a vast, sprawling set of patios and
courtyards, becomes more inaccessible to the public.
"You get a feeling of social exclusivity in later dynasties,"
said Houston. "The very feeling of kingship changes, and it's
expressed in the changing buildings of the site."
The dynasty is rocked when the line of succession breaks and several
brothers seem to succeed one another as king. There are even hints of an
abdication. Finally, the last known king is kidnapped by a neighboring
kingdom.
"It looks like a great deal of violence took place in the royal
palace," Houston said. "We're finding shattered buildings and
shattered monuments."
Without the king, the royal palace soon begins to fill with squatters—debris
and trash. Within a generation or two, most people abandon the city.
"Piedras Negras shows us how Mayan cities were built around their
kings," said Houston. "When the kings thrive, so does the city.
When the kings are taken out of commission, the cities also seem to wither
and die."
The End of the
Maya
The sudden demise
of the Maya civilization is one of the greater archaeological mysteries of
our time. There are several competing theories explaining the collapse,
with some experts pointing to overpopulation, while others suggest
environmental degradation and deforestation.
One of the most popular theories argues that a long period of dry climate,
punctuated by three intense droughts, caused the end of the Maya.
Houston, however, doesn't agree with the drought theory.
"We do know that a lot of these cities had extreme difficulty around
this time and maybe this had something to do with diminished
rainfall," he said. "But the fact is that Piedras Negras runs
along a river that was never dry. They would always have had water to
maintain their agricultural base."
He says there is no evidence of widespread massacres or rampant disease.
Instead, he believes, the collapse began when people lost faith in the
hierarchy.
"We do have evidence that points to a lot of turbulence and
difficulties among those who were organizing the city and helping to run
it as a collective entity," said Houston. "In the end, people
simply voted with their feet. They didn't find Piedras Negras such a good
place to live, so they left."
Maya Redated
By Roger
Croteau
San Antonio Express-News
Belize September
28, 2003 (San Antonio Express-News) - Findings by a Texas State
University-San Marcos professor at an archaeological site in Belize have
pushed back the date for the rise of the Maya civilization to 300 years
earlier than previously believed.
Anthropology professor James J. Garber has worked at the site, known as
Blackman Eddy, each summer since 1990. Although smaller than many other
Maya ruins, it was a major cultural center in the Upper Belize Valley.
"I would say it's a very important finding," said Sandra Noble,
executive director of the Florida-based Foundation for the Advancement of
Mesoamerican Studies. "People in this field will take notice. We are
realizing what we thought we knew is just scratching the surface."
The site was discovered by chance in the 1980s, when a bulldozer doing
road work in the area hit a pyramid, destroying half of it.
It was a stroke of luck for Garber. Central American governments prohibit
archaeologists from destroying pyramids' outer structures, so they are
limited to trenching, coring and tunneling to see what's inside.
Because the Blackman Eddy pyramid was badly damaged and in danger of
collapse, Belize authorities allowed Garber and his team of students from
what was then Southwest Texas State University to excavate it to bedrock.
"It was an unfortunate incident, but from that we were able to
acquire quite a bit of information," Garber said.
It was believed that the indigenous groups living in Central America
before 800 B.C. were hunter-gatherers.
But Garber found that they had a much more complex society, with
sophisticated agriculture, long-distance trade routes, and an established
religious and political center.
The Maya erected new pyramids on top of older ones, concealing previous
building phases. Garber and his students took the Blackman Eddy pyramid
apart layer by layer, discovering 13 building phases over 2,000 years.
Maya civilization reached its peak around A.D. 600.
"As we dug through the layers of the pyramid, we hit 800 B.C. and
kept on going down to about 1100 B.C., where we were finding settled
agricultural peoples making sophisticated pottery. So we've pushed the
dates for the Maya about 300 years," Garber said.
"It is a unique finding, but my guess is that if archaeologists had
the opportunity to dismantle pyramids in other places, they would find the
same thing," he added.
The high quality of the early ceramics indicates that a sophisticated
society existed at 1100 B.C., he said. Exotic goods, greenstone, obsidian
and marine shells also were found, showing long-distance trade was well
established by that time.
"It is also interesting that the earliest inhabitants at Blackman
Eddy don't seem to be Maya," Garber said.
"From the artifacts we've found, they look similar to groups from
coastal Honduras and highland Guatemala that we know were not Maya
speakers," he said. "These groups possibly influenced the Maya
or made it possible for them to create their civilization before they were
absorbed or replaced by Maya groups."
Noble said the Maya established the concept of zero and made other major
advances in mathematics, astronomy, art and politics.
"Our schools are still very Eurocentric," Noble said.
"People do not appreciate the significance of the Maya civilization.
Instead of looking to Egypt, Greece and Rome, we can look to the extremely
high ancient civilization in our own back yard."
Garber's findings are to be published by University Press in November. The
book, "The Ancient Maya of the Belize Valley: Half a Century of
Archaeological Research," is expected to make a splash among
archaeologists, Noble said.
"This is a big deal," she said.
Garber plans to return to Belize this month on a less pleasant trip, a
court hearing in which he will try to have a manslaughter charge
dismissed.
In July, on a return trip from the dig site, he was driving a van full of
students that lost its brakes on a steep hill approaching the San Ignacio
town plaza.
He attempted to slow the vehicle by rubbing its tires against a curb, but
the van jumped the curb, hitting and killing a pedestrian.
Foundation for the Advancement of Mesoamerican Studies - http://www.famsi.org |
|
By Jennifer Viegas
Discovery News
Lincolnshire UK October 1, 2003 (Discovery) — The remains of a six-foot
tall woman, buried with a shield and knife, were recently discovered in an
Anglo-Saxon cemetery in Lincolnshire, England.
The body and artifacts, which date to A.D. 500-600, suggest that more
women than previously believed may have fought alongside men during the
turbulent years following England's Roman period.
Archaeologists made the discovery while working on a program for Britain's
Channel 4 "Time Team."
Ben Dempsey, assistant producer of the show, told Discovery News that the
shield had been placed on top of the woman before burial. The knife rested
alongside her unusually tall body. Even most men at the time measured
several inches shorter.
Another unusual aspect of the burial was that the feminine jewelry and
clothing accessories normally found in women's graves from this period
were not present. Instead, her feet were bound with rope, and the only
adornment was an amber necklace draped around her neck.
While some locals are calling the woman a "warrior queen,"
Dempsey doubts she had any royal connections, like the fictional character
Xena, or the real life war hero Boadicea, Queen of the Iceni, who led a
successful rebellion against the Romans in A.D. 60.
"Nothing to suggest a high social rank was found at her
gravesite," Dempsey said. "However, she may very well have
fought in battle, since many people at the time served as warriors at some
stage."
When the last Roman legion left Britain in A.D. 409-410, tribal warfare
increased in England. The unstable political conditions, combined with
invading forces from all directions, led to many individuals arming
themselves for protection.
The Anglo-Saxon woman's shield, while not ornate, is of interest to
British researchers.
Lincolnshire County
Council archaeologist Adam Daubney told the Lincolnshire Echo newspaper,
"The shield would have been originally made from wood but the boss
— which held the handle in place — was made of iron and this has
survived."
Daubney added, "One of the interesting things about this [site] is
that a total of four shields have been found."
In addition to the shields, remains of two other individuals — a man and
another woman — were unearthed. None of the individuals appears to have
been related or otherwise connected to one another.
According to Dempsey, the second woman was of average height and wore the
wrist clasps, girdle hangers, and little pieces of bronze jewelry more
commonly found in female graves of the time.
The man was discovered in a fetal position with one hand wrapped around a
pot, a form of burial that has never before been documented among
Anglo-Saxons for this period. Archaeologists speculate that the pot could
have contained wine or grain, and was meant to ease the individual's
passage into the afterlife.
Next month, Wessex Archaeology will further analyze all of the remains and
items found at the Lincolnshire site. The artifacts then will be housed in
the City and County Museum of Lincoln. |
Tarzan
By FLAtRich
Hollywood October 6, 2003 (eXoNews) - Boy (no pun intended) when you need
a good genre pilot, the man to call is David Nutter!
The director of the
excellent first episode of The WB's Tarzan is also credited with directing
the pilot episodes of Smallville, Dark Angel, Roswell, Millennium, and
Space: Above and Beyond, not to mention the famous Clyde Bruckman and
Tooms episodes of The X-Files.
Nutter is also a producer for this latest take on the fabled Edgar Rice
Burroughs creation, as he was on X-Files, Millennium and Roswell, so it
goes without saying that Tarzan is in good hands.
Any similarity between the new WB version and "Tarzan's New York
Adventure" (1942), however, is strictly coincidental.
In the classic
version, Boy (Johnny Sheffield) gets kidnapped by circus people in Africa
and Tarzan (Johnny Weissmuller) and Jane (Maureen O'Sullivan) follow him
to New York where, among other things, Tarzan takes a dive off the
Brooklyn Bridge.
Joe Lara also showed up as "Tarzan in Manhattan" in a 1980's TV
movie (he was there to rescue his kidnapped chimp friend Cheetah - see how
these things mutate?) but maybe that one is best forgotten.
The new Tarzan is set in the Big Apple, but Tarzan (Travis Fimmel) and
Jane (Sarah Wayne Callies) meet there for the first time when NYPD
detective Jane collides with the big hunk while investigating a case
involving a pack of dogs that raid supermarkets. Sparks fly instantly for
The Ape Man, but Jane remains demure as she is already involved with a
fellow detective.
By the time the pilot is over, we know that Jane is just as hooked as Lois
was on Superman, and that is probably a good comparison. Warner Brothers
scored big with Lois and Clark for ABC in the mid-90s and Tarzan and Jane
are primed to succeed for The WB in the same vein.
Without the aforementioned circus bad guys to chase in NYC, we also get a
fuzzy plot to keep Tarzan a prisoner in a skyscraper belonging to
Graystoke Industries.
Seems CEO Richard
Clayton, Tarzan's billionaire uncle played by everybody's favorite X-Files
sidekick Mitch Pileggi, did indeed find our hero in Africa twenty years
after the boy and his parents crashed in the jungle.
Clayton doesn't
want anybody to know Tarzan is alive, however, and has squads of black ops
guys left over from X-Files to keep Tarzan and Jane apart.
No big. Next week Tarzan starts helping Jane fight crime (ala Kate and
Angel in the first season of another WB show?) and AD Skinner, oops I mean
CEO Richard Clayton will get Lucy Lawless as his sister Kathleen Clayton
to fight with (and who can complain about that, eh Mitch?)
I'm not complaining either. Director Nutter's first episode of Tarzan was
charming, the actors are winning, the action was satisfactory, and 9 PM on
Sundays is a good time slot for Charmed or second-run Enterprise watchers
to tune in.
I do have three questions poised for my first Tarzan chat.
Why did the
producers change Jane's last name to Porter from the original Jane Parker?
Where the hell is Cheetah? And when will we get to see Travis Fimmel dive
off the Brooklyn Bridge?
[Travis might have to jump after all. The Tarzan premiere did not fare
well in the ratings war with a lowly 3.2/5 overnight. Law and Order won
the period with a 9.4/14, followed by baseball on Fox. Ed.]
WB's Tarzan Official site - http://www.thewb.com/Shows/Show/0,7353,||1474,00.html
Beatles Naked!
LONDON October 6,
2003 (CNN) - The Beatles' record company has unveiled the cover of a
stripped-down version of the band's album, "Let It Be," which is
due to be released next month.
"Let It Be ... Naked" features the original cover shot but as a
negative in black-and-white mounted on a gray background, the idea being
to strip the image back in the same way the music has been overhauled.
The new version of the album -- recorded amid acrimony mainly in 1969 and
released the following year -- takes the music nearer their desire to
return to basics, as expressed in the optimistic claim on the original
sleeve, "This is a New Phase Beatles Album."
It strips away the orchestration and lavish production work of "Wall
of Sound" producer Phil Spector, which had been criticized, not least
by Sir Paul McCartney.
"Let It
Be" was recorded before the acclaimed final album, "Abbey
Road," but was released later due to disagreements that ultimately
led to the band splitting in 1970.
The new version
will be released November 17.
A statement from
McCartney said:
"If we'd have
had today's technology back then, it would sound like this because this is
the noise we made in the studio. It's all exactly as it was in the room.
You're right there now."
The only other surviving Beatle Ringo Starr added:
"When I first
heard it, it was really uplifting. It took you back again to the times
when we were this band, the Beatle band."
The track listing of "Let It Be ... Naked" differs from the 1970
release. Background dialogue, "Dig It" and "Maggie
Mae" have been removed and "Don't Let Me Down" has been
added.
A bonus 20-minute CD will be released with the album featuring extracts
from the original sessions together with a booklet of historic photographs
of the sessions.
The release of the album coincides with a surge in interest in the Fab
Four following the success of the greatest hits album "1" which
was released three years ago.
A spokesman for the band said: "As the release of 'Let It Be ...
Naked' is coinciding with an increase in demand for guitar-based rock and
quality pop, it is hoped that this new appeal to the young will be
enduring."
Keen Eddie
Returns - To Bravo
LOS ANGELES October
6, 2003 (Zap2it.com) - Fans of the short-lived FOX series "Keen
Eddie" may get to see all 13 episodes of the show as soon as early
2004.
Bravo has picked up the rights to "Keen Eddie" in a deal with
Paramount Network TV, which produced the series about a New York cop (Mark
Valley) who goes to work in London after blowing a case at home.
"We had a very loyal audience who continued to this day to hound us
wanting to see more episodes of the series. Thanks to Bravo, they will be
able to," executive producer Warren Littlefield tells the trade
journal TV Week. "This is a fabulous fit for our show."
Littlefield, a former NBC chief, also praised the NBC-owned cable
network's recent marketing efforts, which helped make "Queer Eye for
the Straight Guy" a hit and raised awareness of the brand.
The deal for "Keen Eddie" includes all 13 episodes that were
filmed, including six that never aired. Originally slated for midseason
last year, "Eddie" was held back until this summer, where it
drew only mediocre ratings for FOX.
The show averaged
about 5.1 million viewers over its seven-week run.
Rob Lowe Says He
Felt Slighted by Sorkin
RADNOR PA October
6, 2003 (AP) - Rob Lowe says he quit "The West Wing" because he
felt slighted by the show's creator, Aaron Sorkin, over the size of his
role and the money he was making.
Lowe was irked when his part as a White House staffer was cut back and he
continued to take home $70,000 an episode, while co-star Martin Sheen,
playing the president, got a raise to $300,000 a show.
"Why didn't (Sorkin) know how much I loved him, how much I loved that
show?" the actor told TV Guide for its Oct. 11 issue. "Why
didn't he love me like I loved him? It's weird, considering it's another
man, but that's as close as I can put it."
Lowe also says the show would not accommodate requests for time off.
He recalls a
meeting at which producers upbraided him for an attendance record that
showed he'd been late a total of 17 hours.
"I was spied on. No other cast member had a meeting like that,"
Lowe said.
Though his decision to leave was seen as a bad career move, Lowe landed on
his feet as star and executive producer of "The Lyon's Den," a
new legal drama on NBC.
Jennifer Love
Hewitt Cybertronic Stalker Sentenced
SAN DIEGO October 1, 2003 (AP) - A former county social worker has pleaded
guilty to stalking actress Jennifer Love Hewitt.
Diana Napolis of La Mesa, Calif. was treated for mental illness after her
arrest last November on charges of making death threats against the
actress.
Napolis, 47,
confronted Hewitt at a July 2000 appearance at a San Diego radio station.
Court documents indicate that she also yelled "Murderer!" and
"Killer!" at the actress outside the Kodak Theater in Hollywood
last year.
As part of her plea Monday in Superior Court, Napolis agreed to stay away
from Hewitt for 10 years. She faced up to six years in prison, but was
scheduled to be released at her sentencing Oct. 28.
"She was under some stress at the time the incident occurred,"
said defense lawyer Robert Ford.
Napolis told The San Diego Union-Tribune last year that the 24-year-old
Hewitt and director Steven Spielberg were part of a satanic conspiracy
capable of "remotely manipulating my body via cybertronic
technology." She was arrested after she sent an e-mail to the Web
master of a Hewitt fan site.
"I plan on firing a gun at her heart and not missing," she
wrote, according to court documents.
A Los Angeles judge ordered Napolis last year to stay away from Spielberg
at the director's request. She also was prevented from entering the Los
Angeles premiere of Hewitt's movie "The Tuxedo," which
Spielberg's studio released.
Beach Boys: Stop
In The Name of Love
WASHINGTON October
6, 2003 (AP) - The Supreme Court on Monday refused to hear an appeal from
a founding member of the The Beach Boys, who fought a court order
preventing him from using the famous name in his touring band.
The 9th U.S. Circuit Court of Appeals in San Francisco barred guitarist
Alan Jardine from using the Beach Boys name in a Jan. 28 ruling.
The name belongs to
Brother Records, a company jointly held by Jardine, Mike Love, Brian
Wilson and the estate of Carl Wilson.
Love is sole
licensee to perform under the name.
Brother Records has said Jardine "did not agree to abide by terms of
a proposed license" so he was denied use of the name.
Brother Records filed a lawsuit in April claiming Jardine is touring under
Beach Boys Family & Friends; Al Jardine, Beach Boy; and Al Jardine of
the Beach Boys. Brother Records wants a court order preventing Jardine
from using the name, $2 million in court costs, and unspecified damages
from loss of earnings due to unfair competition pitting Jardine's concert
appearances against Beach Boys lead singer Love's.
The issue has been in litigation since 1998. Jardine appealed a 2002
ruling in favor of Love, whom Jardine says excluded him from Beach Boys
concerts in 2001. Jardine is seeking $4 million in damages.
Jimmy Smits
Playing Private Eye for NBC
By Nellie
Andreeva and Cynthia Littleton
LOS ANGELES October 2, 2003 (Hollywood Reporter) - Jimmy Smits, who has
been highly sought after for series work since he departed ABC's
"NYPD Blue" in 1998, is set to return to the beat.
Sources said he is attached to star in an untitled NBC drama about a Los
Angeles private investigator who fixes problems for the rich and famous.
The project is from scribe David Mills, who is known for penning such
hard-boiled crime dramas as NBC's "Kingpin" miniseries, HBO's
miniseries "The Corner" and the acclaimed NBC drama
"Homicide: Life on the Street." It is being produced by Jerry
Bruckheimer TV, home of "CSI: Crime Scene Investigation" and
"Without a Trace," and Warner Bros. TV.
At present, Smits is trodding the boards as the star of "Anna in the
Tropics," the Pulitzer Prize-winning drama by Nilo Cruz that is
playing at New Jersey's McCarter Theater Center before heading to Broadway
in November.
Xena and
Hercules Sue Universal
LOS ANGELES October
2, 2003 (AP) - Hercules and Xena are joining forces in a lawsuit against
Universal Studios over pay.
"Xena: Warrior Princess" star Lucy Lawless and
"Hercules" star Kevin Sorbo filed separate breach-of-contract
lawsuits Tuesday accusing the company of denying them money from the
adjusted gross receipts of their syndicated shows.
The two are
represented by the same attorney, who filed the suits at the same time.
Sorbo and Lawless said they had agreements with Universal entitling them
to a percentage of the receipts, but that Universal has improperly reduced
the receipts and increased distribution expenses and production costs to
deny them the money.
Lawless said she was entitled to 5 percent, and Sorbo said he was entitled
to 8 percent.
Universal spokesman Jim Benson said the company hadn't seen the lawsuits
and doesn't comment on pending litigation.
[Kevin Sorbo
returned for a new season of Andromeda
last week and Lucy shows up in Tarzan soon on the WB (see above.) Ed.]
UPN Sez Teen
Wolf To Replace Buffy
LOS ANGELES October 2, 2003 (Zap2it.com) - "Buffy the Vampire
Slayer" was a not-particularly-good movie that later became a very
good TV series. UPN is hoping to work that same mojo with another
teenage-monster flick from the recent past.
Get ready for "Teen Wolf," the series.
UPN has given a script commitment to a version of "Teen Wolf"
from writers Terry Hughes ("That '70s Show," "Whoopi")
and Ron Milbauer ("Idle Hands"), according to The Hollywood
Reporter. The show would center on a college student who discovers he's a
werewolf.
As with "Buffy," the producers are looking to move "Teen
Wolf" away from the fairly broad comedy of its movie incarnations --
Michael J. Fox played the character in the first movie and Jason Bateman
in the sequel -- and instead focus on how the lead character deals with
his identity. It would emphasize dark humor and elements of werewolf
mythology as well.
Hughes and Milbauer would serve as executive producers of the project
along with Jennifer Gwartz and Danielle Stokdyk. The show is set up at
Warner Bros. TV.
[Wait! Everybody knows the initial Buffy movie was a big bad but Joss
Whedon was the guy who turned it into a hit series, not UPN. In fact,
didn't UPN kill Buffy? Ed.]
Too Many
Product Plugs!
By David
Bauder
Associated Press
Washington October
2, 2003 (AP) - They're stealth commercials within a television show: a
soft drink can in front of an "American Idol" judge, a bag of
chips offered to a starving "Survivor" contestant.
A watchdog group says these embedded ads are getting out of control, and
asked federal authorities Tuesday to enact stricter rules regarding their
use.
"TV stations are turning programs into infomercials, but viewers are
often not aware that these ads are ads. That's totally unfair," said
Gary Ruskin of Commercial Alert, which filed separate complaints with the
Federal Communications Commission and Federal Trade Commission.
Product placements
within television shows is a growing trend as networks become increasingly
nervous about the impact of digital video recorders like TiVo, which allow
viewers to skip commercials. TV networks depend on ad revenue to survive.
The FCC complaint cited a survey of 750 media planners from earlier this
year that found 18 percent had negotiated a product placement over the
previous six months, but 26 percent anticipated working on one during the
next six months.
They can take many forms: cosmetics companies have had their products
included in soap opera plot lines; Regis Philbin cited a phone company
when a contestant on "Who Wants to Be a Millionaire" wanted to
phone a friend; beer company signs appear on the set of "The Best
Damn Sports Show Period" and a skit on the program mimicked a
trousers ad.
There's nothing wrong with advertising, Ruskin said, "but they must
not pretend their ads are something else."
When Congress first required radio broadcasters to identify their sponsors
in 1927, lawmakers said listeners are entitled to know who is trying to
persuade them, he said.
"Current practice in the broadcast industry violates this principle
broadly and systematically," Ruskin said in his FCC complaint.
Susan Lyne, ABC entertainment president, said it's important to explore
product placements because of the way the broadcast business and
technology are evolving. But ABC is moving cautiously, she said.
"I think it can alienate viewers if they feel they've been hit over
the head," Lyne said. "Also, it's still tough to assess what to
charge for product placements. We want to take it one step at a
time."
Other network executives were reluctant to even talk about it. CBS and Fox
specifically declined to comment on Commercial Alert's complaint; NBC and
the WB did not immediately return calls seeking comment.
Ruskin said FCC rules require television stations to identify sponsors
other than traditional advertisers once during a program's broadcast.
He's not sure whether all networks are abiding by this and, even if they
do, if it makes much of an impact on viewers. He wants product placements
to be identified as ads when they happen: the word
"advertisement" should flash, for example, when a soft drink
bottle appears on the screen if the beverage maker has paid for it to be
there.
Commercial Alert asked the FTC to investigate the extent of product
placements.
"Embedded advertising is the new reality of television, and it is
time for the commission to address it," Ruskin said. |