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Rockefeller
University Press Release
November 13, 2003 - It took from the beginning of time until 1950 to put
the first 2.5 billion people on the planet. Yet in the next half-century,
an increase that exceeds the total population of the world in 1950 will
occur.
So writes Joel E. Cohen, Ph.D., Dr.P.H., professor and head of the
Laboratory of Populations at The Rockefeller University and Columbia
University, in a Viewpoint article in the November 14 issue of the journal
Science.
In "Human Population: The Next Half-Century," Cohen examines the
history of human population and how it might change by the year 2050. By
then, the earth's present population of 6.3 billion is estimated to grow
by 2.6 billion.
"There are some things we can reasonably know and other things we
cannot know," Cohen says about population projections. "By
examining population size and distribution, it is possible to get a
feeling for possible challenges to our future well-being. It is possible
to get a sense of the larger picture."
What can be reasonably predicted? The world's population will be growing
at a slower rate than it is today, especially in the richer, developed
countries, but it will be larger by 2 to 4 billion people. It will also be
more urban, especially in the underdeveloped countries. And it will be
more elderly. However, exactly how international migration and family
structures will change demographers cannot say.
"I also do not know whether we will inflict a doomsday on ourselves
by warfare, disease or catastrophe. Our future depends on choices -- on
the choices we have made in the past and those we will make in the
future," adds Cohen. "We cannot continue the exceptional growth
of this last half century without experiencing consequences."
The demographic projections that Cohen cites assume that fertility rates
will continue to decline and that more effective preventions and
treatments against HIV and AIDS will be implemented and major catastrophes
such as biological warfare, severe climate change, or thermonuclear
holocaust will not be inflicted on the human population and the planet.
These assumptions underlie the United Nations Population Division's
urbanization forecasts and its online database, World Population
Prospects: The 2002 Revision.
In the Science article, Cohen reports such statistical information as the
following:
* history of human population: It took from the beginning of time until
about 1927 to put the first 2 billion people on the planet; less than 50
years to add the next 2 billion people (by 1974); and just 25 years to add
the next 2 billion (by 1999). In the most recent 40 years, the population
doubled.
* birth rates: The global total fertility rate fell from five children per
woman per lifetime in 1950 to 2.7 children in 2000, a result of worldwide
efforts to make contraception and reproductive health services available,
as well as other cultural changes. Encouraging as this is, if fertility
remains at present levels instead of continuing to decline, the population
would grow to 12.8 billion by 2050 instead of the projected 8.9 billion.
* urbanization: In 1800, roughly 2 percent of people lived in cities; in
1900, 12 percent; in 2000, more than 47 percent. In 1900, not one
metropolitan region had 10 million people or more. By 1950, one region did
-- New York. In 2000, 19 urban regions had 10 million people or more. Of
those 19, only four (Tokyo, Osaka, New York, and Los Angeles) were in
industrialized countries.
* poor, underdeveloped regions: Despite higher death rates, the population
of poor countries grows six times faster than that of rich countries.
* population density: The world's average population density is expected
to rise from 45 people per square kilometer in the year 2000 to 66 people
per square kilometer by 2050. Assuming 10 percent of land is arable,
population densities per unit of arable land will be roughly 10 times
higher, posing unprecedented problems of land use and preservation for the
developing world.
* aging population: The 20th century will probably be the last when
younger people outnumbered older ones. By 2050, there will be 2.5 people
aged 60 years or older for every child 4 years old or younger, a shift
that has serious implications for health care spending for the young and
old.
Although it is not possible to predict how global demographics will affect
families or international migration, Cohen points out that three factors
set the stage for major changes in families: fertility falling to very low
levels; increasing longevity; and changing mores of marriage, cohabitation
and divorce.
In a population with one child per family, no children have siblings,
Cohen explains. In the next generation, the children of those children
have no cousins, aunts, or uncles.
If people are between ages 20 and 30 on the average when they have
children and live to 80 years of age, they will have decades of life after
their children have reached adulthood, and their children will have
decades of life with elderly parents, Cohen also points out.
Cohen's article kicks off a four-week long series titled "The State
of the Planet," which examines key issues of our planet's well-being.
Cohen was asked to initiate the series because "population is people
and people matter." |
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Angel Bites
By FLAtRich
Hollywood November 14, 2003 (eXoNews) - Kristin over at E Online reports
the following Angel news (in chat format with Kristin fans):
Q: Angel season six?! Yes or no. Circle one. I love you.
Kristin: Yes. Already picked up. And I love you, too.
Q: Is Tom Lenk going to appear in Angel? Yay!
Kristin: Yes! Thank you, I almost forgot. Tom Lenk comes back for Angel's
11th episode, and we find out that Giles has been training him.
There is another tidbit about Spike and Harmony, but we don't do spoilers
here. Read the rest from Kristin at http://www.eonline.com/Gossip/Kristin/Trans/Archive2003/031110b.html
I don't believe that first bit about Angel being picked up for a sixth
season, BTW. Too early for the WB (unless this is a special deal with Joss
maybe) and there are no other WB announcements about the future of any
other WB shows - other than canning Tarzan.
Some of the dark brooders at the Buffy/Angel Discussion Forum agree,
others are hoping it is true. (Hey! So am I, believe me!)
As one fan put it "I NEED ANGEL!-IT MUST BE TRUE!"
A few weeks ago we all read that Angel was picked up for a full season
five over the initial WB season five commitment for 13 episodes. Maybe
Kristin would like to withdraw that season six answer?
[In fairness to the
first lady of TV gossip, there was a hint that the WB would be favorable
to a sixth season way back in May when they confirmed season five. Ed.]
Darla fans should also read the online interview with Julie Benz on the
Sarah Michelle Gellar Fan Page at http://www.smgfan.com/JulieBenz.htm
Angel Official Site - http://www.thewb.com/Shows/Show/0,7353,||139,00.html
Angel Fan Poll - http://flatdisk.net/angel
Toons Make Big
Comeback!
By Bob
Tourtellotte
LOS ANGELES November 12, 2003 (Reuters) - For Warner Bros. movie studio,
everything that has a beginning has an end.
Fortunately, some things that have an end also find a new beginning --
like the revival of one of the great cartoon franchises in history.
Goodbye to the Matrix's Neo. Hello Bugs Bunny.
This week the studio owned by Time Warner Inc. has been prepping
"Looney Tunes: Back in Action" for a weekend debut that is part
of a campaign to revitalize classic cartoon characters like Bugs Bunny and
Daffy Duck.
That comes just as Warner rolled out "The Matrix Revolutions,"
the last chapter in the Matrix trilogy, simultaneously in 96 countries to
over $200 million at box offices in the widest release ever for any movie.
While the "Looney Tunes" movie is not preceded by a $1.2 billion
global box office franchise like the "Matrix" movies, it may
have an even greater impact on the studio's long-term health, Warner
executives and Wall Street analysts said.
But to realize their new destiny, Looney Tunes had to be picked up, dusted
off and re-introduced to youngsters.
"The Looney Tunes still stack up great for young teenagers ... but it
has become more challenging for us (reaching) pre-schoolers and right
above that, " said Kevin Tsujihara, executive vice president of
business development and strategy.
Since 1930, Looney Tunes have been beloved for their sophisticated jokes
and slapstick humor. They have won Oscars and made stars of animator Chuck
Jones and voice artist Mel Blanc. The library includes some 1,100 classic
cartoons.
Analysts were wary of valuing the library because doing so requires a look
at Warners' books. Still, conservative estimates ranged from $800 million
to under $1 billion. Much of that value cannot be unlocked, however, if
Warner Bros. is not continually re-introducing the characters.
TALLYING UP THE TUNES
"It's
important that they refresh the library, because if you don't use it, it's
all soon forgotten," said Hal Vogel, New York-based fund manager who
runs Vogel Capital Management.
Warner Bros. did this with 1996's "Space Jam," featuring
basketball star Michael Jordan. Critics panned the movie, yet it scored
$225 million in global ticket sales and spurred record sales of Looney
Tunes merchandise.
"For Looney Tunes, 1996 was the biggest year we ever had," said
Dan Romanelli, president of worldwide consumer products.
Warner Bros. employed the same strategy with cartoon dog Scooby-Doo and
his ghost hunting human friends. Last summer's "Scooby-Doo"
movie earned $267 million at global box offices, and Romanelli said
merchandise sales exceeded forecasts. He declined to provide specific
sales figures.
There is TV advertising to be exploited, too. In August, Warner Bros.
premiered the new "Duck Dodgers" show with Daffy, Porky Pig and
Marvin the Martian. It gets 1.6 million viewers on the Cartoon Network and
is the cable TV outlet's No. 3 rated show among kids 2 years-old to 11
years-old.
To keep the ball rolling, Warner plans new Looney Tune short films. The
first already debuted in Wal-Mart stores, among other places, and the
second will screen ahead of new movie "Scooby-Doo 2: Monsters
Unleashed" this March.
At box offices, the $80 million "Back in Action" faces
competition against "Elf" and Disney's "Brother Bear,"
but there was little concern about debut weekend tallies.
"The Looney Tunes franchise won't be hurt by one movie," said
Dave Davis, senior vice president of entertainment for investment bankers
Houlihan Lokey Howard & Zukin.
NBC Goes After
Nielsen
LOS ANGELES November 12, 2003 (Zap2it.com) - On Monday (Nov. 10), in the
midst of a surprisingly tight sweeps race for the coveted demographic of
adults 18-49, NBC researchers targeted the true culprit. No, the fault
lies not in "Coupling" or "The Lyon's Den" (though NBC
President Jeff Zucker admitted last week that many of the network's falls
offerings "sucked"), but in Nielsen Media Research.
According to The Hollywood Reporter (whose parent company, VNU, just
happens to also own Nielsen), NBC research chief Alan Wurtzel charged that
by changing its statistical sample, the ratings provider has created
invalid year-to-year comparisons. Wurztel suggests that it is this
inaccuracy that has created the impression of a large drop in young adult
viewers, rather than an actual dip in viewership.
This season, Nielsen has added more Hispanic males aged 18-34 to the
sample of 5,100 TV homes in order to make Nielsen homes more
representative of the U.S. population at large. NBC says, though, that
those young Hispanic viewers are the ones who aren't watching as much
television and that young viewers in other demographics are still glued to
the tube.
Nielsen begs to differ.
"The data doesn't seem to indicate that this [change] accounts for a
huge percent of the falloff," Jack Loftus, a spokesman for Nielsen,
tells the HR. Loftus notes that while there has been a decline in
viewership among young Hispanic males, the data shows a general drop as
well.
The networks have long expressed some level of discomfort with Nielsen's
statistical methodology and its stranglehold on ratings information, but
as all of the major networks not named "CBS" experience these
dramatically lower numbers, it seems likely that this season's
anti-Nielsen complaints will be louder than ever.
NBC Does
Apocalypse
Hollywood November 12, 2003 (Sci Fi Wire) - NBC is partnering with writer
David Seltzer (The Omen) and producer Gavin Polone to develop a
six-to-eight-hour limited series based on the apocalypse as foretold in
the Book of Revelation, Variety reported.
NBC hopes to roll
out the series right after its broadcast of the Athens Olympics in late
August, airing an hour a week as an event designed to create momentum for
the fall season, the trade paper reported.
Set just before the start of Armageddon, the series will follow two
central characters, a physicist and a nun, who are racing against the
clock to see if the apocalypse can be averted. It's possible the limited
series could include an Antichrist character, sources told the trade
paper.
The series is as
yet untitled.
Virtual
Enterprise
By FLAtRich
Hollywood November 14, 2003 (eXoNews) - I paid a recent visit to the once
again revamped Star Trek Federation HQ at startrek.com and was delighted
to see that the site producers have added a virtual QuickTime tour of
Enterprise.
This is the Star Trek: Enterprise ship I'm talking about, not one of the
many others from the TOS or STTNG eras, and it's not as fulfilling as the
STTNG Interactive software that I bought many years ago to get a virtual
tour of Picard's ship (narrated by Jonathan Frakes), but it does allow you
to get a glimpse at all those displays and Phlox's sickbay and that
old-fashioned transporter they're all afraid to use.
If you have the
latest QuickTime installed you probably already know that once you view
QuickTime on the web it's in your browser cache and you can save the movie
to your hard disk and view it later at your leisure.
Same is true of
QuickTime VR and once you get the ST: E VR into your offline player you
can also stretch the frame size to get a bigger look (the picture does
deteriorate somewhat with with enlargement.)
Oddly enough, the Star Trek Newsletter folks haven't played up this
feature of the "new" startrek.com site.
Maybe the franchise
has forgotten what made Star Trek online cool or maybe they're just afraid
of the transporter too?
In any case, it's a nice tour that any Enterprise fan will want to take.
Do it here - http://www.startrek.com/startrek/view/features/documentaries/article/2319.html
Scott's
Bakula!
[Star Trek Online
provided this fan notice. Find out more at http://www.startrek.com/startrek/view/news/article/2783.html
Ed.]
November 11, 2003 (Star Trek Online) - Scott Bakula ("Captain
Archer") makes another triumphant return to STARTREK.COM on
Wednesday, November 19 to talk about the latest episodes of Star Trek:
Enterprise.
(The time of the chat is scheduled for 1:30 p.m. Pacific Time, but that
may be a bit flexible given his shooting schedule. We advise that you
check back on the morning of the chat for a confirmed time.)
Airing on that day will be "Similitude," an episode that Scott
has already singled out as a one of Enterprise's best:
"'Similitude' is a very interesting script by a new writer, Manny
Coto, and it involves an explosion on the ship that gravely injures Trip,
and an effort to clone Trip in order to replace the part of his brain
that's been damaged. I don't want to give too much more away about it,
because it's really interesting and deals with a lot of topical issues
dealing with cloning, but I will say again it's one of our best scripts in
three years. And a great episode for Connor [Trinneer]." Chat
transcript from Oct. 1, 2003
Scott's participation in these special event chats continues to break new
ground for us here at STARTREK.COM. Never before have we had the
opportunity to experience this level of synergy between the star of the
show and the publicity that goes into promoting an episode. We would like
to extend our gratitude to Mr. Bakula for taking the time to participate
in these chats. If you've been to one of the previous three, you know how
much fun they can be.
We've covered many subjects with Scott over the past two months, so keep
those questions coming. Remember, we are looking for submitted questions
that are the most original and thought provoking.
You can e-mail your questions ahead of time about the latest episodes and
the third season of Star Trek: Enterprise to: bakulachat@startrek.com
Sulu Returns
to WWII Camp
By MELISSA
NELSON
Associated Press Writer
ROHWER, Arkansas
November 12, 2003 (AP) - A cypress root harvested from an Arkansas swamp
60 years ago is one of the few mementoes Star Trek actor George Takei has
from his childhood at a World War II internment camp.
The gnarled knee reminds him of a part of his past he had revisited only
in his mind until this week.
As he traveled Sunday through this remote stretch of southeast Arkansas
farmland, where he and more than 8,500 other Japanese-Americans lived
during the war, Takei spoke of finding resilience in beauty.
"What (the root) symbolizes for me is that my parents were able to
survive by finding and creating things that were beautiful," said
Takei, who keeps the memento on his desk in his Los Angeles home.
Takei, who portrayed Hikaru Sulu in the original Star Trek series and in
six Star Trek movies, was four when he, his parents and two younger
siblings were ordered from their Los Angeles home and taken by railroad
under armed guard to Arkansas after Pearl Harbor.
Six decades later, Takei drove alongside the same railroad tracks to visit
the former Rohwer Relocation Center.
"My mother said the scariest part about that trip was the
uncertainty," Takei said, glancing out of a car window at the
abandoned rail tracks that once led to the camp. "I remember my
father telling us we were going on a long vacation to a place called
Arkansas."
The Takeis spent a year at the Arkansas camp. They were later sent to a
higher security camp at Tule Lake, Calif.
Takei, 64, returned to Rohwer in part to bring awareness to an effort to
preserve the history of the Arkansas camps by the Little Rock-based
Winthrop Rockefeller Foundation, the University of Arkansas at Little Rock
and the Japanese-American National Museum. Takei is chairman of the museum
board.
More than 120,000 Japanese-Americans were sent from the West Coast and
Hawaii to 10 internment camps. Eight camps were in the West; two Arkansas
sites were the only ones in the South.
After the Sept. 11 attacks, the actor drew on his history and celebrity to
fight discrimination against Arab-Americans by helping organize a
candlelight vigil at the museum and a public radio forum.
"There were chilling echoes of World War II," he said.
Takei
Autobiography in Presidential Library
LITTLE ROCK Arkansas November 12, 2003 (AP) - The autobiography of
"Star Trek" actor George Takei will be among the books on
display starting this month in a preview exhibit for the Bill Clinton
Presidential Library.
"To the Stars," written by Takei in 1994, details the actor's
life from his childhood days in Japanese-American internment camps in
Arkansas and California during World War II to his rise to stardom
portraying Hikaru Sulu in the original "Star Trek" TV series and
in six "Star Trek" movies.
Takei, who spent a year at an internment camp in Rohwer, sent a copy of
his book to Clinton with a special inscription taken from the "Star
Trek" series.
He wrote: "Dear President Clinton, with whom I share an Arkansas
boyhood. Live long and prosper."
The book exhibit will run from Nov. 23 through Jan. 3 in downtown Little
Rock's Cox Building. Along with Takei's book, the exhibit will feature
books Clinton used at Oxford and Yale Law School, the volumes on his
recommended reading list, gifts he received as president from each of the
50 states and the District of Columbia, and his collection of Elvis
Presley memorabilia.
George Takei Official site - http://www.georgetakei.com
Around the
Networks - Emma Returns
November 14, 2003 (eXoNews) - More news about The Lyon's Den, reported
canceled last week. Futon Critic is naming Nicolas Coster (Santa Barbara)
as a new cast member of the show, which kind of puts the earlier report to
shame if true. Maybe there's life in the Lyon yet?
Emma Caulfield (Anya on Buffy The Vampire Slayer) will return to comedy in
an 2004 ABC Family Channel TV movie called I Want To Marry Ryan Banks, a
romantic farce about making a reality show.
Jason Priestley
stars and Emma plays the sought after contestant everybody wants. [Me too!
Ed.]
Producer Robert Halmi, Jr. has wrapped production on two classic remakes
for Hallmark. The first is Frankenstein, a four-part mini starring Luke
Goss as the monster and Alec Newman as Victor Frankenstein.
Newman was Paul
Atreides in Sci Fi Channel's Children of Dune. The second is King
Solomon's Mines starring Patrick Swayze as Allan Quatermain. Both will
turn up in 2004 on the Hallmark Channel.
Al Franken
Considers Running for Senator
MINNEAPOLIS November 12, 2003 (AP) - Comedian Al Franken, a Minnesota
native, says he's considering moving back to the state to run against
Republican Sen. Norm Coleman in 2008.
"It's a long way away, five years away," Franken told the Star
Tribune this week. "It might be crazy. I might not be the best
candidate. Part of this is seeing what happens next year and what
direction things are going."
His possible bid for the Senate was first reported by Newsweek. When asked
to respond to the story, Coleman said: "I have no comment. I don't do
comedy."
Franken, a friend of the late Democratic Sen. Paul Wellstone, said he's
being encouraged by his friends to run. Driving him as well has been his
distaste for the Bush presidency, he said.
"I felt like after 9-11 this president had a chance. We were united
in a way that I had never seen, and he had a chance to take this country
forward in a spirit of mutual purpose and mutual sacrifice," the
liberal humorist said. "Instead, he just hijacked it and used it to
his own political ends."
Franken, 52, is the author of the best-selling "Lies and the Lying
Liars Who Tell Them."
Al Franken - http://www.ohthethingsiknow.com
WB Does Dark
Shadows
Hollywood November 11, 2003 (Sci Fi Wire) - The WB has ordered a pilot for
a new incarnation of the classic ABC vampire soap opera, Variety reported.
Dan Curtis, the
original series' producer, will team up with John Wells (The West Wing,
ER) to executive produce the new Shadows, the trade paper reported.
Warner Brothers TV
and John Wells Productions will produce the pilot, aimed at a 2004-'05
prime-time drama slot.
Mark Verheiden (the Timecop TV pilot), who now serves as co-executive
producer of The WB's Smallville, is set to write the Dark Shadows script,
the trade paper reported.
Dark Shadows was previously resurrected as an NBC miniseries in the winter
of 1991, with Ben Cross playing vampire Barnabas Collins, a role
originated by Jonathan Frid in the 1966-'71 soap opera.
Art Carney
By BOB
THOMAS
Associated Press Writer
LOS ANGELES
November 12, 2003 (AP) - When actors win Oscars, it's customary for them
to celebrate with champagne or harder stuff. When Art Carney was named
best actor of 1974 for "Harry and Tonto," he consumed not a
drop. As a recovering alcoholic, Carney explained that he wanted to savor
the evening.
There had been many
mornings-after when he drew a blank on the night before.
Carney, who died Sunday at 85, had a boozing history that began at 18 when
he was touring with Horace Heidt's band and was introduced to gin and
grapefruit juice for breakfast.
Thereafter, alcohol
provided the willpower to get on stage in vaudeville and on Broadway and
to match buffoonery with Jackie Gleason on television's "The
Honeymooners."
"The first thing I did when I checked into a hotel was call service
to send up a bottle," he recalled. "Although I never saw my
father and mother falling-down drunk, drinking was certainly a part of our
family life," Carney told The Associated Press in 1975. "Out of
six sons, four of us have drinking problems."
The crackup came during one of his greatest triumphs: costarring with
Walter Matthau on Broadway in Neil Simon's "The Odd Couple."
His 25-year first marriage was shattering and he was "heavy on the
booze and the pills," Carney recalled.
He dropped out of the play and committed himself to a psychiatric hospital
in Connecticut. He was released after four months.
"I guess I wasn't cured, because in a month I was back in the
hospital," he said.
Offstage, Carney was modest; the Oscar for "Harry and Tonto"
came as a surprise to him.
"I didn't think it was an Oscar-winning role," he said,
"and I was sure that (Jack) Nicholson or one of the other actors
would win."
Nicholson was up for "Chinatown." The other contenders were
Albert Finney for "Murder on the Orient Express," Dustin Hoffman
for "Lenny" and Al Pacino for "The Godfather Part II."
Basically a character actor, Carney wasn't able to convert the award into
a steady film career. He had some good movies "The Late
Show," "House Calls," "Going in Style" but
also some turkeys: "Won Ton Ton, the Dog Who Saved Hollywood,"
"Take This Job and Shove It" and "Firestarter."
Although his film career dwindled, Carney's fellow actors, as well as fans
from his days on "The Honeymooners," never forgot his
brilliance.
"He was an original," said Hal Kanter, veteran comedy writer,
director and producer. "He was one of those rare actors who can make
you laugh one moment and grab your heart the next."
Micky Dolenz
Monkees with Aida
NEW YORK November 12, 2003 (AP) - From "The Monkees" to
Broadway's "Aida." Micky Dolenz, who played drums in the 1960s
television pop group, joins the long-running Disney musical Jan. 6 as
Zoser, the villainous father of the show's young hero.
The 58-year-old
Dolenz has played the role in the musical's national tour.
"Aida" undergoes a major cast change next Tuesday when Michelle
Williams of Destiny's Child takes over the title role from Toni Braxton.
Williams will star in the musical through Jan. 25. Will Chase plays
Egyptian captain Radames and Lisa Brescia is Amneris, an Egyptian princess
and Aida's rival.
"Aida," which has a score by Elton John and Tim Rice, opened at
the Palace Theatre in March 2000.
Aida - http://disney.go.com/disneytheatrical/aida
Micky - http://www.mickydolenz.com
CBS Gets
Dead Serious Cold Case
LOS ANGELES November 12, 2003 (Zap2it.com) - The CBS series "Cold
Case," the top-rated freshman drama so far this season, follows a
female Philadelphia detective who investigates crimes committed long ago
and butts heads with her mostly male counterparts.
Change CBS to CTV
and "Case" to "Squad," and you pretty much have the
Canadian series "Cold Squad," which is also about a female
detective who looks into old crimes and faces chauvinism on the job. The
lead characters even have similar names -- Lily (played by Kathryn Morris)
on "Cold Case" and Ali (Julie Stewart) on "Cold Squad"
-- and tousled blonde hairstyles.
The similarities between the two shows may soon become a matter for the
courts. Toronto's Globe and Mail newspaper reports that Julia Keatley and
Matt MacLeod, the creators of "Cold Squad," have retained a Los
Angeles attorney specializing in intellectual-property cases to look into
the origins of the CBS show.
When "Cold Case" was introduced to TV critics in July, a
Canadian reporter asked about the similarities between it and "Cold
Squad," which debuted in 1998. (CTV, coincidentally, also airs
"Cold Case.") "Case" creator Meredith Stiehm, a former
writer for "ER" and "Beverly Hills, 90210," said she'd
heard of the show but never seen it.
"I didn't even
know there was a show," executive producer Jonathan Littman said at
the time. "We don't get a lot of Canadian TV in L.A., so I haven't
seen it."
Carole Handler, who helped Marvel Enterprises win back motion picture
rights for its Spider-Man character, is representing the "Cold
Squad" creators. She tells the Globe and Mail that Keatley and
MacLeod "are very concerned about many striking similarities and have
retained counsel to investigate the situation and if necessary, to take
appropriate action."
CBS hasn't commented on the matter
Senate Moves
to Make Taping Films a Felony
By Brooks
Boliek
WASHINGTON November 13, 2003 (Hollywood Reporter) - A bipartisan U.S.
Senate duo plans to introduce legislation Thursday that would make it a
felony to use a camcorder to record a motion picture in a theater and make
it easier to prosecute people who illegally distribute copyrighted
material before its legitimate release.
The Artists' Rights and Theft Prevention Act, sponsored by Sens. John
Cornyn, R-Texas, and Dianne Feinstein, D-Calif., is the latest attempt by
lawmakers to address some of the problems created by copyright piracy.
"Copyright piracy is a serious threat not only to the entertainment
industry but also to a U.S. economy struggling to get back on its
feet," Cornyn said Wednesday.
The Artists' Rights and Theft Prevention Act joins a separate piece of
legislation sponsored by Reps. John Conyers, D-Mich., and Howard Berman,
D-Calif., that includes language making camcording a federal offense.
According to a synopsis of the legislation, the measure would:
* Create a federal law protecting artists against the recording and/or
transmission of a motion picture release or other audiovisual work in a
motion picture facility.
* Make it easier to prosecute the illegal distribution of prerelease
materials before the copyright holder has a chance to get the product to
market.
* Allow copyright owners to pursue appropriate civil remedies by
establishing that the illegal distribution of prerelease materials, by
definition, cause serious economic harm. |