By JEFF
WILSON
Associated Press Writer
LOS ANGELES (AP) APRIL
10, 2000 A year after it stopped not once but three times, Phyllis
Diller's heart is beating with the help of a pacemaker planted in her
chest.
"I died three times.
The heart actually stopped,'' Diller said in an interview. "I was in
intensive care and it stopped and stopped and stopped. The nurse had to
give me mouth-to-mouth. I'm OK now. I'm flaming, raging. I had that laser
eye surgery and I have a new hip. I'm the bionic woman!''
Did she ever worry that she
might die?
"I can't now. I have
this damn pacemaker,'' she replied.
The comic with the
outrageous laugh doesn't intend to retire just because she's approaching
83 and has faced down death. Her five-day appearance at the Stardust
Resort and Casino in Las Vegas celebrates Diller's 45 years in show
business.
"I'm kicking up my
heels. I'm back. I'm working my tail off,'' said Diller, who punctuates
interviews with her trademark cackle "Aack! Aack! Aack! Aack!''
Comedy has changed since
Diller began working in nightspots nearly a half-century ago. In those
days, she talked about marriage, the kids, the dog and domestic life.
Female comics now seem to
focus on vulgarity.
"I don't like that.
They get too clinical. If it's slimy, I can't take it,'' she said.
"The ones I admire are clean, like Rita Rudner, and some of the male
comics like Tim Allen and Jerry Seinfeld. Those are ones that will end up
with their own shows.''
Recently, comedian Jerry
Lewis criticized female comics, saying the only ones he likes are Diller,
Whoopi Goldberg and Elayne Boosler.
"What he said was
female comedians were baby-making machines,'' Diller said. "He's not
an easy person, you know. He's always on the edge. That was very nice, and
I appreciated it, but there are some very funny ladies out there.''
Why doesn't Diller just sit
back and relax?
"Oh, I can't stand it.
How awful that would be. It would be like looking at an old piece of
machinery just sitting there. I love being onstage. To hear those laughs.
By now, with my material, well, I really know what I'm doing. And I've got
a built-in audience. I walk out there and they know who I am and what I'm
doing. I'm the hairless wonder!
"Aack! Aack! Aack!
Aack!''
She passed the California
driver's test recently but it wasn't easy.
"I had a terrible time
getting my license. They really look you over after you turn 80, you know.
When I couldn't see the eye chart, that bothered them,'' she laughed.
Laser eye surgery "where they put in a lens'' cured that.
The 5-foot-2-inch comic was
a late bloomer in show business.
When she was 37, her husband
encouraged her to work up a nightclub act. She opened at the Purple Onion
in San Francisco on March 7, 1955, lampooning celebrities and life in
general.
She was an instant hit.
It was quite a switch for
Diller, who was a housewife and the mother of five children.
Her gig at the San Francisco
nightspot stretched from two weeks to 89.
Then she went on a national
tour.
She began showing up on TV
variety and chat shows. She hosted her own comedy specials. She has made
guest appearances on "Blossom,'' "Boy Meets World'' and other
shows.
"I love television.
It's not my fault if the tubes blow out when I laugh!'' she said, followed
by that hilarious "Aack! Aack! Aack! Aack!''
She had a role in the 1961
film "Splendor in the Grass,'' starring Natalie Wood and Warren
Beatty, and "Boy, Did I Get a Wrong Number!'' with Bob Hope in 1966.
Diller is a concert pianist,
author and artist.
She also collect cars. Her
collection includes a 1967 Checker custom station wagon, a 1927 Mercedes
Excaliber Phaeton, a 1959 Rolls-Royce Silver Cloud and a 1971
Mercedes-Benz.
"The Excaliber is
customized with gangster headlamps and the horn plays (the movie theme)
`The Bridge on the River Kwai.'
"Aack! Aack! Aack!
Aack!''
She lives in an
English-style mansion on Rockingham Avenue in Brentwood, very close to
where O.J. Simpson lived.
"We call it murder
alley,'' she chuckled. |